By Jojo Karlin
On 13, Nov 2017 | In Spotlight | By Jojo Karlin
Over the last 8-10 months I have become an active contributor on the CUNY Academic Commons. (I have also proudly joined the commons’ sub-committee) I think it is a wonderful platform! I see the commons itself is an amazing space for activating creativity and collaboration between CUNY campuses, students, faculty and community members. After some research, ah, yes, I was a “commons voyeur” for a few years to learn and watch what was happening and how I could best contribute something new and of value.
I decided to create the NET-ART course on the Commons.
It began as a disruption (and still does) to the sidebar of the commons’ home page. Every other day I post a new animated GIF or a screen recorded series of Internet Art works that are co-dependent on a web browser to display and archive the works. The animations serve as a colorful contrast to the regularly published content. NET-ART on the commons is indeed an expressive and experimental digital art course, digital art gallery, exhibition space and a platform for interdisciplinary collaboration. An official or formal announcement about the NET-ART course launch has not yet been shared, but perhaps this Spotlight will serve as its introduction!
The Net-Art website on the commons will soon be launching its first series of open calls in three categories: Animated GIFs, Net-Art & Digital Art / Static / Memes!
This is the “hackable” course description:
“Net-Art is a remote online digital studio art course intended to expose and expand the vocabulary of new media art to the student’s personal visual statements. Students are expected to produce a related series of electronic art works with a concentration on experimentation and the transcendence of ideas. Through various processes, both manual and technology based, students will be exposed to the use and application of electronic media via desktop and mobile art practice. Students may reference their work in conjunction with prior interests in applied arts, photography, video, history, politics, social commentary, performance art as well as any other inter-disciplinary subjects of interest. The course will take place here on this URL using (OER) Open Education Resources, Public Domain and other Creative Commons Sources.”
Over the last several years I have been exhibiting and building online portfolios and repositories of my works:
Please have a look below for examples as they are relevant to the NET-ART Course work:
4. Ryan Seslow.com – https://ryanseslow.com – Lots of blog posts and otherness.
By Jojo Karlin
Spotlight: Jeff Allred and Research, Interpretation, Play: Billy Budd as Role-Playing Game via Ivanhoe for WordPress
On 27, Oct 2017 | In Spotlight | By Jojo Karlin
Project: Research, Interpretation, Play: Billy Budd as Role-Playing Game via Ivanhoe for WordPress
Project type: Digital Pedagogy, Writing
Campus: Hunter College
By Jojo Karlin
On 16, Oct 2017 | In Spotlight | By Jojo Karlin
Creator(s): Shelly Eversley, Associate Professor, English, Baruch College, CUNY
Laurie Hurson, Ph.D. Candidate, Environmental Psychology, The Graduate Center, CUNY
Project: Equality Archive
Discipline: Feminist Archive, Digital Media
Campus: GC and Baruch
Follow: @EqualityArchive, @ShellyEversley, @Laurhur
The Equality Archive is a digital platform that hosts open access information about the history of sex and gender equality in the United States. Each archive entry contains intersectional and multimodal content in the form of text, images, sound, and video. In its collaborative and transformative approach, the Equality Archive marks a new direction for Open Educational Resources by offering multimodal educational content without copyright restrictions and builds on the feminist practice of collaborative work and socially transformative potential.
Written by a collective of over 25 feminists who are professors, artists, and authors, each archive entry is peer-reviewed and connects readers to opportunities to get involved through volunteering or donating to an established organization already working toward a social good that must include empowered women. As readers explore one entry, they will find connections–intersections–with other entries. They can browse the archive by searching via key words located in Equality Archive’s tag cloud or they can jump between entries through text hyperlinks, images, videos, and other media. By providing access to multimodal, open, and educational content, Equality Archive aims to share information and spark interest so that it can ripple outward, becoming a new wave of knowledge and action in the service of social good.
More information can be found in the Equality Project Statement: Equality Archive: Open Educational Resources as Feminist Praxis
By Jojo Karlin
On 13, Oct 2017 | In Spotlight | By Jojo Karlin
Qwriting, a WordPress installation that serves the Queens College community, has over 19,000 users and hosts thousands of sites, including course blogs, student portfolios, and organizational pages. Qwriting 2.0 is a multiyear initiative to build on the Qwriting platform and the communities that rely on it. Over the past year, the Qwriting 2.0 initiative has included programs to support digital writing pedagogy, technical improvements to the Qwriting platform, increased support for teachers making use of Qwriting in their work, and increased support for student blogging initiatives such as QC Voices.
In spring of 2017, the Qwriting 2.0 team began a workshop series in digital writing pedagogy for instructors at Queens. This series, designed to show teachers in a variety of disciplines how best to deploy Qwriting and WordPress in their classrooms, engaged topics such as QWriting for Digital Assignments and Assessment and Strategies for Online Discussion, Annotation, and Collaborative Work. These sessions provide instructors with both the technical skills needed to use WordPress effectively and the space to consider how digital writing pedagogy can augment their own teaching practices.
To provide the Queens College community with a high-impact example of digital writing in practice, Qwriting 2.0 provides support for QC Voices, a flagship site that features student thought on issues such as queerness, social justice, equal representation in literature, and life in New York City. QC Voices highlights not only the diversity in perspective of Queens College students, but also their technical proficiency in both writing and modern digital rhetoric. The Qwriting 2.0 team maintains the site and guides and promotes the work of student bloggers as they create work that is routinely read by hundreds or thousands of visitors, both within and outside the Queens College community.
A critical part of the Qwriting 2.0 initiative is the ongoing evaluation and improvement of the Qwriting platform, including considerations of usability, aesthetics, and performance. In the last year, the Qwriting 2.0 team has made technical improvements to increase the speed of the platform, redesigned the site’s home page and documentation, and rethought the signup and site creation process to better serve common use cases. The team also actively encourages adoption of the platform through consultations, class visits, and office hours.
By Jojo Karlin
On 11, Oct 2017 | In Spotlight | By Jojo Karlin
Campus: Lehman College
Mapping New York Literary History is a digital public writing project produced by Lehman College English majors enrolled in Bret Maney’s American literature courses. The project engages students in original research and writing about New York locations that have a significant bearing on American literary history. Students document these sites through notes, photographs, videos, and interviews, and carry out library and archival research. The result of their investigations is a series of multimodal essays posted online under their names, initials, or a pseudonym, and organized through a mapping interface powered by Carto and hosted on the CUNY Academic Commons.
The goal of Mapping New York Literary History is fourfold: (1) to foster student engagement with local literary history and American studies; (2) to introduce students to the practice of writing for digital publics; (3) to enhance students’ digital literacies; and (4) to collaborate in the public humanities mission of sharing our disciplinary expertise with the wider community on the web. Through this project, students’ research and writing becomes a permanent contribution to the digital documentation of our city’s and region’s literary history. Lehman English majors have done some truly remarkable work, and we are excited to share it with you.
To begin exploring the Mapping New York Literary History project, click here. Most essays focus on literary sites within the five boroughs, but follow the river north to the Catskills, go west to Weehawken, NJ, or east to Long Island for more literary excavations!
For a scholarly discussion of the digital pedagogy involved in this project, see Bret Maney’s recent Kairos article, “Critics and Cartographers in the Literature Classroom: Using CARTO and WordPress to Build a Digital Public Writing Project.”
By Jojo Karlin
On 05, Oct 2017 | In Spotlight | By Jojo Karlin
Project type: Digital Pedagogy
Each academic year, AHTR publishes a series of blog posts on the AHTR Weekly, an increasingly popular feature at ArtHistoryTeachingResources.org. While these short essays primarily target art historians and museum educators, instructors in other disciplines now look to the Weekly for information about innovative pedagogies, open educational resources, and technology-enhanced teaching. Among topics slated for this year are “What’s Your Sutori? Interactive Study Guides and Active Note-Taking,” “Kimono Wednesdays,” “Bomb the Church,” and other effective Reacting to the Past (RTTP) games,” and “3D Printing.”
Some contributors have developed their Weekly posts into peer-reviewed publications for Art History Pedagogy and Practice, AHTR’s academic e-journal on scholarship of teaching and learning. At conferences, AHTR provides faculty opportunities for professional development and collaborative exchange. In October, AHTR will host a session “Pedagogically Sound Approaches for Hybrid and Online Learning,” at the Southeastern College Art Association (SECAC), and for the second year in a row, AHTR organized a round of lightning talks on teaching and learning for the College Art Association (CAA). These presentations, addressing the “State of the Art (History): Re Examining the Exam,” along with proceedings from our SECAC session will be shared and archived through reflection posts on the AHTR Weekly. AHTR is also excited to partner with CAA’s Education Committee this year on a one-day “boot camp” for faculty interested in conducting Scholarship of Teaching and Learning in Art History, and is planning a special issue of Art History Pedagogy and Practice focused on projects developing from this event.
By Jojo Karlin
On 02, Oct 2017 | In Spotlight | By Jojo Karlin
Project: Philip C. Van Buskirk Archive
Project type: Digital Archives, Digital Publishing
Campus: GC & Hunter
The Philip C. Van Buskirk Archive employs a small group of CUNY students to digitize and make freely available the first seven years of the unpublished journals of Philip C. Van Buskirk. The nearly-completed archive is free and publicly available for reading and searching.
Born into the upper class, educated and literate—the son of a Maryland Secretary of State—Van Buskirk “fell” into the working-class, largely illiterate, maritime culture after his father’s suicide. Beginning in 1851 and running for fifty years, he kept an extensive diary of the intimate details of his life and the lives of his fellow sailors.
The resulting journals provide a unique window into aspects of this working-class world that have proven difficult for scholars to access because they were almost never written down. While the journals present his perspective, they also allow access to voices he discovered in working-class spaces, perspectives that were seldom allowed within written discourse of the time. The journals have the capability to reshape assumptions at the heart of history, art, literary, and cultural criticism.
By Jojo Karlin
On 28, Sep 2017 | In Spotlight | By Jojo Karlin
The Distance Machine is a new way of visualizing the linguistic changes that we have to grapple with while reading texts from the past. It uses a statistical model to determine when words either became common or ceased to be common in several large collections of books, including Google’s Ngrams data and the publicly available part of the Early English Books Online collection. This gives an approximate sense of when archaic words like thou cease to appear in these collections and when distinctively modern words—like computer—come into common use. Using this information, it shows you (right in your web browser) which words in a text might have stood out as unusual, novel, or specialized to readers encountering it at a given point in the past.
Last year, a paper on this project, “‘The General Practice of the Nation’: Walt Whitman, Language, and Computerized Search in the Nineteenth-Century Archive,” appeared in the journal American Literature. Since then, I used the Distance Machine in a study of representations of land in eighteenth-century America and France, which I presented at the Northeast MLA conference. In the NEMLA paper, I argue that the word location, which appears at several points in Thomas Jefferson’s writings, was politically charged in the eighteenth century, indicating a way of thinking about land that defines places by projecting a Cartesian grid onto the landscape—a practice that, Edmund Burke argued, was like treating one’s own country as a country of conquest. The example of the word location reveals a way in which the new linguistic forms introduced by the Enlightenment have now become so familiar that they are almost invisible to contemporary readers.
Paying attention to language change using tools like the Distance Machine, I suggest, can help us recover some of the lost sense of novelty that texts from the past once had. Since the linguistic knowledge with which we in the twenty-first century read texts from past periods is, in part, a product of the historical processes that were at work in those periods, there is a danger that we tacitly give preference to the sides of political debates that won out. To resist this possibility, it is necessary to become a little less confident in our ability to understand the language of the past.
Dear CUNY DHI community!
This fall we are excited to launch CUNY DHI Spotlight, a new feature on the blog to highlight ongoing efforts of community members! Consistently impressed by the vibrant activity on the CUNY DHI group forum, we wish to showcase the amazing digital work happening around CUNY for a broader public. We will open with updates on projects seen last fall at the November lightning rounds.
Please contact GCDI Digital Fellow Jojo Karlin if you are interested in presenting a snapshot of an ongoing project (an image, slide or screenshot, and 250-500 word write-up of the project).
Stay tuned for the forthcoming call for presenters for CUNY DHI Lightning Talks, November 13!